In the afterglow of two performances that were destined to linger in memory, NEKYIA—presented with the Japanese theatre troupe NOH in 2015—and Sophocles’ Trackers in 2021, Michail Marmarinos revisits the Ancient Theatre of Epidaurus with yet another riveting dramaturgical proposal. Ηere, he orchestrates a return to the sources through a journey to three rhapsodies of the Homeric epic, confirming once more that the endless mystery of oral Storytelling (the cavernous mystery of Theatre itself) can still thrillingly propel us “to where history still happens”.